Cher's Performance in Jimmy Dean Gets a Deep Dive

Come-Back-to-the-Five-and-Dime-crying-cherWhen people ask me what my favorite Cher performance is I always say Sissy in Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean. Her performances as Loretta in Moonstruck and Rusty in Mask are pretty great too, but just not as great.

The issue in saying this, however, is that Jimmy Dean is a much more difficult movie for people to watch than all the other Cher movies. Unless you're a fan of Robert Altman and even then, this is not a favorite film among even Altman fans.

For one thing, there's the convention of time-travel through the dime-store mirror that seems confusing for most people. Then there's the whole storyline of transgenering, which in 1982 was challenging for viewers and is still controversial for some people now. 

So I was thrilled to find this dissection of Cher's performance by film critic Claudio Alves who has been watching the Criterion Channels Films of Endearment series. He calls this move "an underrated Robert Altman effort" and rightly credits Altman's role in handing Cher a serious film career. "If not for this flick, her ascendance to movie stardom might have never happened." 

Alves concedes that of the three women, Cher's role is "the least showy part, though no less complex" compared to Karen Black's performance of a trans woman ("portrayed with a sensitivity that feels ahead of its time for 1982"), and Sandy Dennis' performance of "warped fandom" and a life of lies. Cher's role still contains plenty of "juicy monologues and shattered multidimensionality."

He breaks apart Cher's casual entrance and connects it to her on-stage persona. He talks about her "vocal cadence and the rhythm of gestures" that reveal "a deeper weariness" and he contrasts this to her portrayal of her younger, more jubilant self.

He takes apart her "humor and energy" in the role during periods of reaction to the dramas of other characters ("comedic frustration," "dipsomatic deadpan," "bored and slightly critical in that way one is when being presented with an oft-repeated lie") and her performance of

"exaggerating emotion in order to force herself into genuine feeling. It's a risky gambit on Cher's part, for the approach could read as over-deliberate, mayhap over-technical when compared to Dennis' externalized implosions and Black's sense of innate fragmentation. Thankfully, Cher thrives in making bold choices look instinctual, erasing any signs of forcefulness until everything she does on-screen looks effortless. Such powers aren't beneficial for winning awards, though, since so much value is put on the performer's self-conscious extenuations. Nevertheless, they're vital to the songstress' success as a dramatic actress. They also define her presence as that of an old-school movie star. She can walk into a movie, captivate the camera, and magnetize the audience's gaze without breaking a sweat."

Alves even has some rare praise for Altman's work here: "This film...works as a showcase for Altman's ability to collaborate with actors and shoot limited spaces, finding infinite strategies to capture and contrast the store and its women...using these famous performers in ways no other film ever tried, before or since.

Not only does Alves give Cher's performance due diligence, his screenshots are perfectly illustrative of key moments.

Read the piece here: http://thefilmexperience.net/blog/2022/5/3/almost-there-cher-in-come-back-to-the-5-dime-jimmy-dean-jimm.html


Christmas with Cher, 2021

Chersanta

It's baking time...so this will be the last Cher Scholar post for the year. I feel like 2021 was mostly getting my head back on track after the drama of last year. Hard to believe I've done not one single Sonny & Cher Comedy Hour recap (and I was so close to the end of that series). Well, hopefully next year.

The Cher Christmas tree is up this year with two more dolls. (Had to upgrade to a bigger tree this year). The nativity of boyfriends is back, as well.

30oyit 30oyit



 

 

 

 


It's Christmas so it's time for people wanting to watch Moonstruck again. Here's one last essay from this year's scholarly readings of Moonstruck-think-tanking, "An Honest Contrivance': Opera and Desire in Moonstruck" by Marcia J. Citron.

Citron talks about the movie's tone, "romantic idealism tethered to the magic of the moon" and how the movie's conceit balances so precariously by successfully between realism and maudlinism. She identifies each part of Puccini's La Bohème as a part of the movie's soundtrack, the actual opera scenes, and the ways in which each Puccini theme ties to a character, mostly Ronny. She concludes "the verismo idiom of Bohème...has a stunning impact on the film." She even provides us with a table listing each act, the DVD timestamp, the piece of the score, the location in the plot and whether the musical element is a soundtrack piece or a literal opera performance. "The visit to the Met to see Bohème occupies a central place in the story, and Bohème is foregrounded as ritual through signs, posters, and phonograph recordings...it's use of opera music...performs important meta-level functions for memory, conciousness, and desire."

MoonstruckCher's character in the film is explored as well: "Loretta Castorini an uncomprehending novice...throughout the film she has been independent and functioned as an individual with her own mind. Film scholars see her as an unusually strong female character in a genre in which women have been subordinate to men...Loretta appears to have internalized the opera-desire connection and made it her own, even though Ronny instigated and controlled the music." (referring to the scene in his apartment when he put a Puccini record on his turntable and then later when he invites her to the opera).

You can check out the essay on JSTOR: https://www.jstor.org/stable/30162938

So recently my friend Natalie asked for a Christmas mix. My personal Christmas mix is on my iPod and quite a few of the songs included on it are not available on Spotify, including all of Cher's Christmas offerings. Searching for them today online  reminds me how much Christmas material Cher performed on her various TV shows. Maybe this is why she's not in such a hurry to give us a Christmas album. We're insatiable, Chrismastly speaking.

Years ago I did a brief breakdown of all the Cher Christmas shows.

Here are the elements of those shows:

MisletoeThe 1969 Glen Campbell Goodtime Hour with Cher
Where they started singing "Jingle Bells" that tragically hip way. Look, he surprises her with misletoe. Adorable!
https://www.youtube.com/watch?v=VT06CBkTkyM

You can now watch the entire show on Amazon Prime.

The Sonny & Cher Comedy Hour (1972 and 1973) Shows

OholynightThe ultimate Cher Christmas song is, of course, "O Holy Night." Unforgettable. So much so that there was once a yearly tradition to recreate it on David Letterman. Watch Paul Shaffer yearly rendition (as is tradition).

Sonny & Cher do "Jingle Bells" in 1972.

FestiveThe 1973 show was a big production of festive.  

MidnightCher also did this one both years, I believe: "One Tin Soldier/It Came Upon a Midnight Clear"

You can now watch the 1972 show on Amazon Prime.

The 1973 show on Amazon Prime.

Cher, 1975

1975Cher's opening "White Christmas/We Need a Little Christmas" Medley"

1975-2The poinsettia-fest that is "Some Children See Him

The full cast doing the big finale ("I Love the Winter Weather/ I've Got My Love to Keep Me Warm/Let It Snow," "Santa Baby," "Santa Claus is Coming to Town," "Jingle Bells with a Steel Guitar," "Christmas Island," "Christmas in Trinidad," "Silent Night") with Foxx, The Lennon Sisters and The Hudson Brothers.

FinaleThe full show, (the Redd Foxx as an elf is a funny sketch.)

The Sonny & Cher Show (1976)

The Divorced Show also had a Christmas episode.

1976The "Jingle Bells" open

1976-2The kooky medley with Bernadette Peters and Captain Kangaroo which has Elijah's first if not an one very early appearance.

Watch the show on Amazon Prime.

In the 1980s we also had a few Christmas appearances:

PeeweeCher on Pee Wee Christmas

MermaidsxmasThere's a Christmas party scene in Mermaids.

Cher's only official Christmas recording, "Christmas (Baby Please Come Home)" with Rosie O'Donnell.

Have a Cherry Christmas everybody and stay out of trouble. ;-)


Christmas Songs, Lucy Arnaz and You'd Better Sit Down Kids

CherxmasChristmas Music

So here we are the day before the Thanksgiving weekend. In a few days it will be the appropriate time to binge on Holiday songs. Since last year was like the least festive year I've ever had (truly 'the year without a Christmas tree' for the whole extended family), this year the yen to fest feels strong.

Meanwhile my friend Natalie has been feeling blue and her birthday is coming up so as I was discussing the fact that her gift has been picked out and is on its way she stopped me to say the only thing she wants from me is another Christmas mix tape. (She thinks it's hilarious I  studiously curate these mixes as an agnostic). So yesterday I started my Massive Christmas Playlist on Spotify to give to her this weekend.

Sadly, it has not one Cher Christmas song in the whole 6+ hours! Since Cher's best holiday songs were on her television shows (and are at best bootleg-able), none are on Spotify except for the one with Rosie O'Donnell and....eh.

So expect a Cher Christmas song blog post in the next few weeks.

A Night at the Academy Museum

A-night-in-the-academy-museum-abc-cherI also want to say something about Cher's appearance on A Night in the Academy Museum. She had three segments. In one she talked about how important costumes are for actors in helping them form their characters. In another short segment, we see her famous fu*k- you dress and in a final segment she highlights her friend Diana Ross' dress from Lady Sings the Blues and an Elton John explosion of an outfit.

The special felt like a the longest commercial for a museum you've ever seen. A very good commercial, but a commercial nonetheless. I have to say my favorite part was Diane Warren's segment at the end talking about how many times she's been nominated and showing us the podium where one could visit the museum and pretend to win an Oscar. She was very funny and her whole spiel was pitch perfect.

You'd Better Sit Down Kids

Lucyjr2Despite Lucille's Ball's big presence in Cher's story (which is not insignificant), I have never been a big Lucille Ball fan or an I Love Lucy fan. Although I can say I do enjoy the antics of Lucy and Ethel sometimes and find Desi very attractive and Lucille Ball is excellent in Stage Door (a movie whose flowers determined my wedding bouquet) and in Big Street (a movie Cher showed us on TCM when she hosted).

I can just skip her TV shows is all. And one day last month I was sick with a cold and watched something I normally wouldn't watch, Lucy Arnaz's documentary on her parents, Lucy and Desi: A Home MovieIt was actually illuminating to see Lucy and Desi in private moments before the hoopla of their public life together.Kids

But in any case, Lucy Arnaz talks about the moment her parents, (who in her lifetime where always viciously fighting), were finally separating and she said she can't listen to Sonny Bono's song "You'd Better Sit Down Kids" because, she says, that's exactly how it was. 

So I'd like to take a moment to enjoy the song in all its variations today:

Cher's original version on her solo album of 1967 With Love, Cher.

Sonny's later-day version on 1971's duet album All I Ever Need Is You which I have to say I've alwaysLiza loved for its raw (and I would say, brave) sentimentalism.

Sonny's 1973's Sonny & Cher Live, Vol. 2 version.

And Liza Minelli also recorded a version

As did Gary Puckett and the Union Gap.


Cher's Cameos in Respectable Rockumentaries

LgbI watched the documentary Janis Joplin Little Girl Blue two weeks ago. I've seen quite a few Janis documentaries over the years and each one seems to be a bit more revealing, especially about her sexuality. In this one they interview one of her former girlfriends. I liked how this doc described her as a person with “Huck Finn innocence.”

Anyway, they spent a lot of time with the letters Janis wrote back home to her parents. I was really tired the night I watched this and so I couldn’t quite believe my eyes when I saw one of her letters with the word Cher scrawled on it.

Back when I was a kid perusing magazines at the local paperback bookstore, I got really good at finding the word Cher in columns of text on the pages of teen magazines. But that skill has waned considerably. So the fact I noticed this was unusual.

I did a freeze frame and read the full sentence and then really was even more flummoxed and had to ask Mr. Cher Scholar to confirm I wasn’t losing my mind. Then I looked up the sentence on google and sure enough…Janis writes,

“I don't really know what's happening yet. Supposed to rehearse with the band for the first time this afternoon, after that I guess I'll know whether I want to stay and do that for a while. Right now my position is ambivalent. I'm not at all sold on the idea of becoming the poor man's Cher.”

IMG_20210812_180134

This letter was written on June 6, 1966 before Janis (a committed blues singer) joined Big Brother & the Holding Co. Meanwhile, Sonny & Cher are not yet a year into their fame as a folk-rock/pop duo. Cher has only released two solo albums by this point, basically folk-rock collections with a bunch of Dylan covers. "I'm not at all sold on the idea of becoming the poor man's Cher.” The idea that there is a sentence like this in the universe makes me insane. Janis was no more in danger of becoming a poor man’s Cher than anyone in the history of anything. And the fact that she thought this thought is just mindboggling. In fact, it’s hard for me to get my head around the idea of a universe where Janis is even thinking this much about Cher, both women are doing such completely different projects. But then you wonder if maybe there weren’t that many women for Janis to relate to. If you do a search for “1966 rock stars” on google, it’s a real boyfest.

Here's a transcript of the full letter: https://www.chicagotribune.com/news/ct-xpm-1999-08-01-9907310220-story.html

LlwOn Britbox there a documentary about the last interview from John Lennon and in the middle of it there’s inexplicably a Cher and David Geffen picture. I think in this sequence they are discussing partying at Studio 54, as if this is an indicative picture of such things.

IMG_20210518_185115


Cher Streaming Stuff Catchup

DatelineI went to categorize this post as "Television" but I don't even know what the word means anymore. Sigh. 

Anywhere, there's been a ton of Cher content in the last 6 to 9 months. Here's a partial catchup. Last week Cher was on Dateline: White House with Nicolle Wallace. It was a great interview about Celebrity civic action and Cher and Dr. Irwin Redlener's mobile Covid vehicle. 

LonelyCher's documentary Cher and the Loneliest Elephant came out a few months ago on Paramont Streaming/Smithsonian. It's not yet available on other locations but hopefully it will end up on Amazon Prime or DVD eventually.

It was a very moving story, mostly focusing on the trials of Dr. Amir Khalil from the Four Paws animal rescue. Despite the title and trailer, Cher has only a peripheral role in the movie. Which is why it's good to also watch the For your consideration video which is a solid hour of Cher and the film's producer. It's an incredible behind-the-scenes conversation about the many of the challenges both Cher and the filmmakers experienced before cameras started rolling, many challenges not even mentioned in the documentary. You come away thinking it was a miracle the film ever happened at all, let alone the rescue itself. It shows the power of perseverance and Cher's mantra of not taking no for an answer (which is a mantra reiterated in all three video clips here).

Hsn3The lightest appearance was HSN's Beauty Report talking about Cher's 2020-Fifi-award-winning new fragrance. Apparently the Fifis are the Oscars of fragrance. Far from saving the world with COVID vaccines or elephant-rescues, this kitschy girl-fest felt very personal yet still newsworthy. 

In all the clips Cher says she loves the people she works on these projects and she loves making things. They discuss the fragrance's color (Cher doesn't like the whiskey look) and  the notes, the bottle corset with the little baby studs.

The whole thing feels like fun girl-time (no matter your gender preference).  Listening to fragrance nerds talk about smells is funny (and interesting) but funny. They ogle the purse-size's twist-top bottle (so it doesn’t leak in your purse). Then they bring out Theo Spilka from Firmenich Fragrance who says they went through 57 trials and it took 4 years with 2 perfumers working on it. He says Cher knew what she wanted and he Hsn2described her initial conversations about an Istanbul incense she liked and how she "rolled up her sleeves literally." He said Cher is so loved all over world Clement Gavarry (the perfumer) was able to get quality raw ingredients like:

  • Orange flower and jasmine from France
  • Neroli from East Africa
  • Bergamot from Italy
  • Sandalwood from Australia

Spilka says it's hard to verbalize what you want making perfumes, but that this perfume is 150% Cher.

Cher drops hints of some Christmas surprise that doesn't sound like a Christmas album although she admits she would do one. She says her favorite Christmas song is (still?) "O Holy Night." 

Cher says she doesn't plan anything and that she was "talking to Herb Alpert the other night" and they both agreed that luck played a large part in their careers. 

Cher tells a story about how she was told a woman with brown eyes and dark hair would never make the cover of Vogue. As we know, Cher soon afterward was on the cover of many Vogue magazines. She says charity blesses the giver and that she really wants to tour again but she wants people to be safe. She says, "I have as good a time as you do." David, the Cher fan talking to her right then says, "I don’t know about that." They talk about a nail polish bottle Cher helped designed for Deb, her manicurist. They talk about how Cher's mom is still stunning in her 90s.

Cher-stare-kunisCher's biopic was also officially announced recently and people are speculating on who will play Cher. Because Cher is completely inimitable, (as drag queens and impersonators have scientifically proven), this will be a challenge. Talented as she may have been, the Cher cast for the TV movie And the Beat Goes On, (yes, this will be Cher's second biopic), was completely off-the-mark. 

For years I've been thinking Mila Kunis would be a good Cher although I have no idea whether she can sing or move like a groovy coolnick. She's got the comedic sense and she has a similar je-ne-sais-quoi quality, part of which is the deadpan Cher-stare.

 


More Moonstruck, Bobbleheads, Biden and Interviews

Mooneyes

Another good Moonstruck review appeared in The New Yorker while I was away.

B.D. McClay admits this movie’s “selling points have always been a problem" and then delves into the psychology of our inner wolf-ness. Huh. Something just dawned on me. Anyway, many characters in the movie, McClay notices, are “torn between who [they are] and who [they believe] themselves to be.” Loretta can’t “admit that she is a wolf, too” and “her coverup is a form of agency, ” her “own wish to feel in control, just as nothing is driving her father’s affair but his refusal to admit to his wife that he fears death.” Interesting.

McClay also interestingly notes that Ronny’s exasperation of Loretta in his line “I ain’t no freakin’ monument to justice!’ is ultimately ironic because he has indeed become a monument to his own pain. McClay also feels the idea of family is almost more important in this story than the escapades of the couple, “being a member of a family, you assume a kind of doubleness among people who have known you for a long time, which is part of what makes trying to be somebody else appealing.”

“You could flip over the table and see what happens” McClay says about taking life risks and compares the movie to Shakespeare’s romantic comedies, especially As You Like It. The movie “shares the same spirit. It’s a comedy, but it’s deeply obsessed with death, to the point that it opening a funeral parlor.”

Not many reviews and pieces for Boobleheads came out and they were ultimately unsatisfying anyway. People Magazine interviewed Cher.  She says, “No one has ever asked me to do voice-overs” and called her voice “a strange voice.” She also states, “This is a film for young people. Little kids don’t know who I am.” I wonder if little kids believe Cher is simply just another a character or bobbledom.  “For me, it was a story about being yourself…[a movie] that sends a good message.”

When asked, she admits she does have a bobblehead of herself (I’m assuming custom made) and says she “might be a little bit old [for them].” Well, not me sister. For some reason this movie has made me feel insatiable with the desire to own a Cher bobblehead. There's also a mention in Entertainment Weekly and Exclaim for some reason only reviewed the trailer. Dude, we can all watch the trailer. What purpose do these trailer reviews serve?

CookiecherThere were also some bigger general interviews:

Good Housekeeping

Kayla Keegan notes Cher’s “fearless devotion to being herself” and catalogues all of her public activities of 2020 and summarizes her life a bit. Most interesting was Cher's memory of the first book she actually enjoyed reading (after struggling with dyslexia), a book given to her by Sonny called The Saracen Blade

The Guardian

Simon Hattenstone elicits some good comments in this Guardian interview. He notes on the outfit that made such a splash in London in December, the “two-tone black-and-white beret, matching jacket, skinny jeans, black boots, black mask, and an elephant-shaped knuckle-duster.” They discuss  Trump and Biden, Kaavan the elephant, her Free the Wild and Cher Cares charities, the California fires that burned the side of her house, the price-tag for her Vegas show (an estimated $60 million a year but she defends that this supports 100 staff…Hattenstone also notes her estimated worth of $360 million). Sonny is referenced as her “Svengali and lover” and they talk about her feelings about him after he took all their shared earnings and then some. She talks briefly about Camilletti and Allmas as well.

Hittenstone notes that Cher “has a touch of Mae West about her” and “a surprising stillness.” He calls her a “serious, understated actor” but also notes her recent “gloriously camp cameo” in Mama Mia. (You could say that about all her recent roles.) He says she’s “never quite received the acclaim she deserves” and that “very few women have been so empowering for other women” due to her independence, longevity, chutzpah and level-headedness. He also remarks on her “steadfast” sobriety despite her very public dramas.

He mentions that in his experience other “megastars are evasive, talk in soundbites or reel off anecdotes on autopilot. Cher answers fully, as if considering every question for the first time. She doesn’t pretend to be your friend or feign intimacy.”

Although she refuses to accept his linking her past plastic surgeries to the current trend of teenage girls going under the knife. Hittenstone calls her “freakishly fit” which seems like only something you would only say in 2021.

She mentions in the piece that she’s working on saving a gorilla and another elephant now.

CNN

Oscar Holland at CNN talks to Cher about gay men, her son Chaz, Kaavan and Biden and the recent news that she may be directing a movie soon, tangentially related to The Rocky Horror Picture Show. She’s also working on a new album, which begs the question of where the ABBA2 album got off to. Maybe it succumbed to Covid-19. Hopefully not.


Cher in the Time of Covid

WalkaisleSo where the hell have I been? Well thanks for asking. As I said in my last post, my 80-something parents (right, 1958 in Carson City, NV) came down with Covid in Cleveland mid-November. I spent the end of December through the beginning of February (alternating with my brothers) helping them get back on their feet. When my mother was on death's door  back in November, I promised her that if she made it home I would learn to cook (finally, after 50 years) and make her a bunch of Hello Fresh dinners. And that's what I did, in the process learning the many joys of a bubble whisk.

I anticipated catching up on all-Cher-things while I was gone but that did not happen. In fact, the whole experience made me question fandom entirely (and not for the first time). I asked myself what purpose it serves, does it make my life better, does it make the world better? And because of all of the most recent events in the world, the answer was a soft no. Not that much different from stress shopping, I figured. But then I came around to the idea that in some way, like a carrot on a stick in front of a mule, it gave me something to look forward to, some relief of entertainment just slightly up ahead. And that was comforting in the trenches of things. 

New Video

Stopcrying1I will be slowly catching up over the next few months. So much has happened, first of which was the video release of "Stop Crying Your Heart Out" which I loved. Although I could not follow it's directive, I really loved the perfectly-edited video, which felt oddly cohesive considering all the personalities involved:

Stopcrying2You can still donate:

Stopcrying3

New Movie

IMG_20210220_181043Then last weekend I finally watched Bobbleheads: The Movie:

This felt like a watered-down Toy Story with bobbleheads. There wasn't much background on the cartoon family but that the parents were theme park designers in a world that looked like the cheap cousin of Pixar. But this is a good movie for kids under ten (and hopefully Cher’s brand can successfully extend into this demo).

Some oddities: these were scary parents who kept a fish tank on the coffee table and no baby gates at the top of the stairs, fully expecting their tween daughter to deal with it. There was also a Cher poster inexplicably in the office. Who is the fan here? The wife, the husband, both?

The story is basically the bobblehead toys avoiding pitfalls in the house like  a visiting dog and nefarious relatives squatting there. Lots of references to collectors of the bobbleheads and collector culture. There’s also a sub-world bobble creed and anxiety around the toy's relationships to their real life prototypes, some protos who have let down their bobbles and some protos who bobbles cannot live up to.

This is where it gets weird because Cher is a real life prototype to her bobble equivalent (meaning she really exists in real life) but the other bobbles are fictional characters to their fictional prototypes. The rules of the world bobble here. It probably would have been better for all protos to have been fictional.

Cher’s bobble appears in spaceship (in reference to her big concert entrances) at the toy's darkest hour and gives the group a mentor of bobblishiousness (very similar to her role in 2017’s Home: Adventures with Tip and Oh and even in Mama Mia 2 to some extent). She comes as a representative of The Bobble Council.

These are flat roles that are getting old for fans but maybe helpful in introducing Cher’s brand to new generations. This makes me wonder if this is what it felt like for original fans of the great Mae West getting flat 1970s facsimiles in later years.

All that said, there are still some good messages here. Cher clarifies the bobble creed: "Bobbles bobble and bring joy" which sounds a bit like Cher's own entertainment ethos. She also has this good advice: "Don’t be prototypes, be you." Then she tells the cat he’s one of a kind and to embrace that. "That’s what my proto did,” she says.

Over the credits, Cher’s bobble tries to teach the other bobbles to be dancers in her live show. They’re all flat feet, so to speak.

New Cover

KaleoAfter listening to the Cover Channel on SiriusXM for a few years, they finally played a Cher cover, "Bang Bang" from the Icelandic band Kaleo. It starts slow like a lot of the Sinatra-esque versions already out there but then it starts to veer away with new embellishments, then unfolds into its own unique, less controlled thing. Great cover.


Moonstruck for Christmas

MoonstruckOy vey. Good grief. All the things.

I feel like I've been living in a funhouse for the last month and a half. Some of the scenes have been a complete nightmare (like the Trumpers post election still denying covid, the day when we thought we were losing my mother for good) and other things amazingly good, (like being home with my parents for Christmas today). But by the end of it, I'm not sure I'm the same person anymore.

My elderly parents both came down with Covid-19 in mid-November and have been in the hospital literally on death's door (more so for my mother with her breathing ailments).  Thankfully, miraculously they both made it back home in Ohio and are slowly on the mend. I'm now in the Cleveland area helping them out. 

So I've missed pretty much all the Cher stuff. Which has been quite a few things I will need to catch up on in the coming months: the Cher tour cancelled, Cher on The Late Late Show, the "Stop Crying Your Heart Out" video, all the Kaavan stuff,  the bobble-head movie, all the press interviews, the scam gargoyle I got on eBay in a moment of weakness, a piece that was purportedly a Sanctuary item but is nowhere in the catalogs and is assuredly nothing Cher would have in there. All the things.

But I didn't want to let Christmas go by without a Moonstruck post. It's been such a success this year.

Continue reading "Moonstruck for Christmas" »


New Criterion Moonstruck Release

MoonstruckThe Criterion Collection is releasing a new Moonstruck Blu-Ray and DVD on November 17.

Special Features

            • New 4K digital restoration, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
            • New interview with screenwriter John Patrick Shanley
            • New interview with scholar Stefano Albertini about the use of opera in the film
            • Introduction from 2013 featuring Cher
            • Interviews from 1987 with director Norman Jewison and actors Cher, Nicolas Cage, Vincent Gardenia, and Olympia Dukakis
            • Interview from 2002 with actor Danny Aiello
            • Audio interview from 1989 with Shanley about screenwriting and the development of Moonstruck
            • At the Heart of an Italian Family, a 2006 program about the making of the film
            • The Music of “Moonstruck,” a 2006 program featuring interviews with Jewison and composer Dick Hyman
            • Audio commentary from 1998 with Cher, Jewison, and Shanley
            • Trailer
            • English subtitles for the deaf and hard of hearing
            • PLUS: An essay by critic Emily VanDerWerff

Oooh, essay. I love essays! To order: https://www.criterion.com/films/29154-moonstruck


Cher and Believe in Movies and Fundraiser Concert This Saturday

BobblecherBobblehead Cher

Cher scholar Michael notified me that Cher will star in a new BobbleHeads movie. You can see a nanosecond of her in the trailer. 

More info: https://ew.com/movies/cher-bobbleheads-trailer/

Mr. Cher Scholar expressed concerns that all the potential bobbling would give him motion-sickness like when he watched Blair Witch Project and Moulin Rouge. I'm just really hoping a literal Cher bobblehead just comes out of it.

Release date: December 8.

The Song "Believe" in Will Ferrell movies

Apparently Will Ferrell likes to sing "Believe" because two of his movies use the song.

The recent movie "Fire Saga" (about the Eurovision song contest) has some very cool mashup-fun with the song: https://www.youtube.com/watch?v=Eq6IlGkxIfU

Firesagabelieve

While I was trying to find a clip of that movie, this one also came up as another Will Ferrell movie using "Believe," Land of the Lost, this time with Will himself actually singing with Danny McBride: https://www.youtube.com/watch?v=9KPQ5-9MS_k

Landofthelostbelive

Fundraisers

My friend Julie notified me about another Biden "star-studded" fundraiser coming this Saturday: https://people.com/politics/joe-biden-campaign-concert-featuring-cher-bon-jovi-more/.

    "Fans are able to donate any amount of money to the Joe Biden Victory Fund to attend the event, which will take place on Sunday at 8 p.m. ET."

To donate and attend: https://secure.actblue.com/donate/bvf2020_grfr_concert

Cher is also allegedly traveling to Arizona and Nevada to campaign according to The Hill: https://thehill.com/blogs/in-the-know/in-the-know/522231-cher-to-campaign-for-biden-in-nevada-arizona