In the middle of creating this list I realized a lot of these songs were written by men. So I counted it all up and yes there are 35 male writers to just 10 woman writers. Oy. And I kept losing count of all the writers listed for “A Different Kind of Love Song” so this is an undercount.
All I Really Want to Do: Early idea of relationship emancipation when sung by Cher. That’s why her version of this Dylan song is important.
I Walk on Guilded Splinters: The witchy New-Orleans swamper written by a future Dr. John. Mess with this voodoo version of Cher at your own risk. I have never not liked this song.
Hell on Wheels: All the stuff the voodoo princess in the prior song does but this time on roller skates. It’s still dangerous!
Young and Pretty: I worried this song might sound too victim-y. It’s the only Spotify Black Rose song available so it slipped in. I think it’s Cher’s defiant performance of the song that makes me want to include it and her 40-year literal defiance of the lyric (actually giving the words retrospective irony) that makes this one apropos to our mix here today.
Back on the Street Again: I worried about including this one as well. The girl-power part is mostly in the chorus and the way Cher delivers it. This is another example of how a lyric's meaning changes when sung by a woman instead of man, especially a woman who has decided to change “feet” to “street” and “came” to “gave” illustrating some different priorities there.
I Found Someone: Cher’s first Geffen-era kiss-off song. Honestly, it doesn’t sound like what I would image a girl-power song to be but I’ve witnessed girls-of-a-certain-age at Cher concerts who really love reenacting this one to each other while Cher sings it. It taps into something, this one does.
Save Up All Your Tears: Part two of "I Found Someone." Cher doesn’t sing this one in her shows anymore, but I’m assuming the aforementioned girls would do the same re-enactments for this one. This is a fun song to sing with indignation, whether you have cause or not.
Just Begin Again (with Spinal Tap): Because it’s funny and not bad advice. Although Cher belts too much in it. This was the 1990s and I’m glad that whole thing is over.
It’s a Man’s Man’s Man’s World: The example most people give when Cher’s persona provides a cover song with ironic disobedience.
Believe: Cher’s girl-power incarnation in the new millennium. This song is another surprising girl-anthem since it’s a bit equivocal and vacillating. But the boys and girls disagree. You see them dancing to this one with a look of self-confidence on their faces and have to admit they are digging empowerment out of it. This is a good example of how music and lyric can mix to evoke a stronger message than the literal words indicate. Honestly, I have never loved this song. I know. What can I say? This is the remix I can take (with the happy electronica) and happily this is the version Cher uses to open her shows.
Strong Enough: Post-Believe, Cher is putting more girl-power out there. More overt girl-power than "Believe." And the disco sound lets us pretend Cher sang this one decades earlier.
A Different Kind of Love Song: It’s not all about what girls are reacting against, but what we celebrate too.
You Haven’t Seen the Last of Me: Yes, a good phoenix rising song but like "Believe" I don’t really like it. So I found a remix I did like, a softer, slightly anthemic, less bombastic journey. Undeniably a strong sentiment though. “Times are hard but I was built tough.”
Woman’s World: Written by men. Harrumph! Cher sells the empowerment here though, especially in her shows.
Take it Like a Man: A tongue-in-cheek “we can do better” song for that works well for girls and gay men, which is why there are about 100 zillion dance remixes. “And how does it feel when we do it better?”
Chiquitita: Girl to girl, things will be okay. Great when ABBA sings it. Cher’s version feels very motherly, or fairy-godmotherly. “Love’s a blown out candle….but the sun is still in the sky and shining above you.”
Stop Crying Your Heart Out: My mother has a lot of somewhat harsh pieces of advice we call Estel-igims. When she was sick in the hospital with Covid and hours away from the ventilator, she was still scolding me to “toughen up” and to “do as I say” and I think this sentiment applies here. The song came out right as she was telling me this although at the time I told her I regretted to inform her that I was a cream puff. Sorry not sorry. :-)