Because last week we did so many 60s and turn-of-the-70s Cher clips, I wanted to post a mid-80s piece to be refreshing, specifically one of the scenes cut from the movie Mask: Cher and Eric Stoltz singing a duet. Another Cher duet, can you believe it? No wonder the paparazzi thought they were dating. Unfortunately the clip was removed “for user violations” from that meany-poo video website that shall not be named.
We’ll have to drown our sorrows with these:
- a news clip after Cher’s award win at Cannes
- And the Siskel & Ebert review of Mask. Look at their outfits! I love it when Ebert exclaims about Cher: “where did she come from! She was a has-been singer and now suddenly she’s one of our best dramatic actresses!” and then Siskel says “and picking interesting projects” and Ebert agrees. Amazing encapsulation of her success at the time, and interestingly what is so frustrating about the last two or three movies, they’re not as interesting as those first five or six. You get the feeling that Cher agreed to do those more heavy stories because she felt she had no choices. Then, when she did have more clout to choose, she picked stories the rest of us don’t find so compelling.
Another interesting point Siskel and Ebert make is how the movie broke down each of their guards against “heart-wrenching movies.” Testament to the movie’s restraint, surely. I’d argue it’s Cher best movie; although her performance in Jimmy Dean might top it. However, that movie’s story had structural challenges. Read more elaborate movie reviews on Cher Scholar.
There’s also a very passionate argument against the marketing strategy for this movie, an argument made by Siskel, specifically the strategy of not showing Rocky’s face in the trailers. What are your thoughts about it?