Cher Commercial with Future; Fundraising with Oprah, Baby Don't Go

ChergapWow. Before I could finish blogging this week, Cher turned up in more stuff.

The Cher Gap Commercial

The Gap has just released an off-the-cuff commercial with Cher and Future singing “Everyday People.” It's great. And painfully short.

- From Ad Week

"A new 30-second ad, debuting today, will air on high-profile TV programming like NFL games, prime time and late night, marking the first time in several years that Gap has advertised on television in the fall back-to-school period."

- From People

"What do you get when you put one of the most iconic female performers of all time on set with the chart-topping rapper of the moment? A duet you never knew you needed. Unlikely duo Cher and Future team up for Gap‘s latest installment of its “Meet Me in the Gap” fall campaign to make some music together — and of course they look really good in their Gap gear while doing it."

- From Logo

"Is Cher’s ad better than Madonna and Missy Elliott’s iconic 2003 Gap commercial? We’ll let you be the judge..."

See the full commercial: https://www.youtube.com/watch?v=v_bbo1hUJeY

And Sonny & Cher singing the song on The Sonny & Cher Comedy Hour back in the early 70s.

Baby Don't Go

BdgI also forgot to mention this earlier but the Welsh band Colorama just did a very lovely cover of Baby Don’t Go (and it’s good to see something other than "Believe" and "Bang Bang" getting some attention).

 

  

 

Handinhand2Fundraising for Hurricane Harvey Victims

Cher also appeared on TV to do fundraising for Hand in Hand and giving a speech with Oprah. Read CNN's story.

Some links: 

  Cher-oprahHandinhand


New Cher Projects, 2017

ChazSo my summer break was longer than usual. My parents came to stay with us for 5 weeks while waiting to move into a new house in Ohio. I’ve also been taking stock of my writing projects and realized I’m way behind in my self-imposed schedules. I don’t know how this will effect the blog.

But despite the big break, I’ve still accumulated so much good stuff to share. I’ve been working on some new scholarly projects that I’m excited about and will unveil a few (on Cher Scholar and Big Bang Poetry) over the next few weeks.

But as happens every summer, lots of Cher stuff has gone down.

American Horror Story

Chaz Bono has returned to the American Horror Story franchise this year as a one-armed Trump supporter and there are rumors that Cher will be making an appearance this season as well. The rumormongers:

- http://elitedaily.com/entertainment/cher-ahs-cult/2059844/
- http://www.konbini.com/us/entertainment/cher-american-horror-story-cult-cameo/
- https://www.queerty.com/cher-appearing-new-season-american-horror-story-evidence-speaks-20170831

The hate-crime, fascist stuff, not the clown, has scared me right off watching the new show on anything slower than 15x. When entertainment is that close to reality…I’m just a jellyfish I guess. However, I'm going to see Stephen King’s IT movie this Thursday and I’m sure that will be much more pleasant.

You can collect Chaz’s appearance on AHS #6 Roanoke which goes on sale for DVD and Blu-ray October 3.

ClassicClassic Cher

Cher started up her stage shows again. Here are the latest reviews on that:

Her show’s guitarist, Joel Hoekstra, is interviewed here: http://www.sarasotapost.com/great-reading/1362-turn-back-time-with-classic-cher

The Broadway Show

Cher’s new Broadway show had its open call in July and over 500 people showed up:

They predict a Spring 2018 opening: http://www.goldderby.com/article/2017/cher-broadway-musical-tony-awards-news/

Boovs2Two New Songs

Cher made an appearance on a children’s show called Home: Adventures of Tip and Oh and recorded two new songs.

Reviews speak for themselves:

Netflix Got Cher to Record a New Song for a Cartoon Because Netflix Can Do Anything Now

“Cher seems to be particularly picky about what she's recorded in the last decade. There was an album in 2013 (Closer To The Truth), a contribution to the soundtrack of her 2010 film Burlesque ("You Haven't Seen The Last of Me," by the acclaimed Diane Warren), a contribution to the documentary Cries From Syria, a duet with her mother, and a couple of unreleased collaboration (with Lady Gaga and Wu-Tang Clan). She has not been particularly prolific, and this might be considered her first dance floor jam in at least four years.”

Cher's New Trap Track

“To be a fly on the wall where this bonkers song was pitched to Cher... We’re still not sure how this track came to fruition, but we’re not complaining either: somehow the 71-year-old sells this campy trap song.” 

Yes, I had to look it up. Trap is “southern hip hop with ominous lyrics, double or triple time divided hi-hats, heavy kick drums and a Roland TR-808 synthesizer or layered synthesizers.”

Cher’s bizarre new song is the catchiest thing you’ll hear all day

“We love Cher. Not only for her amazing back catalogue, her brave fashion choices or constant trolling of Donald Trump on Twitter, but also because she still has the ability to surprise us with her music” and “gloriously psychedelic video.”

Cher Dropped A Demented Bop Called “Ooga Boo”

“It transcends traditional kiddie fare, however, with the demented electronic production, heavy lashings of auto tune and an annoyingly catchy chorus. It’s the not the comeback we wanted, but it’s probably the comeback we deserve.”

EarstockingsThe Animation Podcast review was hilarious.  (Thanks to cher scholar Tyler for the find).

Animation aficionado ElectricDragon505 had his mind blown by the cartoon, not because of the story or Cher’s appearance on it, but because of of her character’s design. He says it reminds him of a “drill sergeant in Full Metal Jacket” or a mutated marshmallow. “What the fridge am I even looking at!” he cries. He likes the Boov characters and their bright, cold colors with flashes of hot yellows, oranges and reds but says the makeup is “even too much for a drag show.” Too much are the comically huge eyelashes and fishnet leggings because the fishnet leggings are even on Chercophanie's ears. (I would agree with that; WTF.) But ElectricDragon505 will even give the designers a pass on all that. What he absolutely can’t abide is a Boov wearing three bras because this forces questions about Boov anatomy that he just can’t face.

This all seemed like a great deal of news for an appearance on a Netflix children’s show, so I did a search for her last un-released but kinda-released song from January and oddly there were zero news stories or reviews about “Prayers for this World” on two pages of Google results except this short blurb:

“First new material since 2013 From a documentary that debuted recently, she is singing with the Los Angeles Children's choir. Absolutely amazing!”

My parents gifted us with Netflix. So I watched the Chercophanie episode last week.

The show is about an interracial or inter-galaxy friendship between a spunky preteen black girl (Tip) and an alien Boov (Oh). The episode is called “Chercophanie/Oh Man & the Sea” and it contains two 15 minute stories. I spent time bemoaning the short attention span of “young people today” as I was watching it and then realized I spent my own childhood binge watching 8-minute Loony Tunes cartoons.

Tip is playing pretend rock star and her friend Oh is playing pretend obsessed fan. By the way, we never played pretend star/fan back in the 70s. We played teacher, waitress, working single-mother, sordid soap-opera Fisher House community, salacious sex-life Barbie, TV news broadcaster, outdoor Missouri shipwreck, and novelist.

DG1ewsoU0AAGmzYBut anyway, Tip is full of artistic torment for fame and glory. Unfortunately, she feels a lack of desire to actually practice singing or guitar playing. But she wants legions of fans, like, yesterday! And she tries to make a big splash as a street singer. The humans hate her performances but the alien Boovs love it. By the way, all Boovs look like octopuses.

Tip loves to talk about “star power” and she calls her fans Tipsters. Cher descends into the scene as “a true star who knows how to make an entrance.” In fact, the show gives Cher’s Boov character plenty of funny entrances. She’s “a cultural enigma” they say but she’s never given the chance to tell Tip and Oh what her true passion is. Spoiler alert: it involves whale-shaped Ooga Boos…which finally explains Cher’s new song then.

StarpowerBut sadly, the public doesn’t care about Chercophanie’s passion and only wants to hear her “rockin voice.” There’s a very funny bit where Chercophanie cries and her massive mascara runs down her face. A makeup Boov rushes in to fix it.  

Chercophanie calls Tip “Twinkle Pie” and takes Tip and Oh to her studio to hear her latest track, “Ooga Boo,” and my parents left the closed-captioning on Netflix so I was able to decipher that confusing lyric: “Moi a tu.”

Tip is over-confident and when she finally hears herself play the guitar, she’s mortified, even after Chercophanie tries some funny production magic. A few times I laughed out loud at this stuff: Boovs crowd surfing, Boovchella. During performances, Tip likes to yell out “how many of you out there have faces?”

CherwhaleChercophanie tells her not to be worried about the reviews, just be you…because following your heart is “where you find true art.”

Fans of Tip, of course, hate the result of that sort of advise and abandon her new direction. One fan calls out, very disgruntled, “my expectations have been defied!”

Cher fans, you’ve been there.


Cher Slays the BBMAs

BillboardmagIt took me a moment to gather my thoughts this week and this is going to be a long post. Very exciting stuff going on and some of it very important to Cher scholarship.

The 71st Birthday Tributes

Remember last year on Cher’s 70th birthday when we had a plethora of celebratory articles? This year there were far fewer but then people were already talking about Cher’s Billboard award instead. Still there were some:

10 Facts You Didn’t Know About Cher - They even take issue with the fact that she’s not in the Hall of Fame yet.

Cher's Most Iconic & Controversial Fashion Moments of All Time (E! Online)

Our Favorite Quotes (Biography)

Cher: A life in photos

A Star Is Born: Cher turns 71 today (LA Times!)

Midriffs, Wigs, Sparkles & Boots: Cher’s Glam Concert Style Over the Years (Footwear News) - Footwear News??

Cher: See Her Top 10 Most Outrageous Outfits Ever

#BornThisDay: Cher (World of Wonder)  (thanks to Tyler)

Cher at 71: Her most incredible outfits in pictures (thanks to Tyler)

Bonus! Tour Cher's California Homes (Architectural Digest)

Kim Kardashian even had her own subset of birthday tweets and articles resulting from those tweets:

Billboard Sweetness

So, in support of Cher’s Icon award, Billboard Magazine did a series of tributes to her (see more in my opinion post, Cher’s Musical Oeuvre).

The interview: Cher Sounds Off on Trump's 'Cheating' & Why She's 'Not a Fan' of Her Six Decades of Hits

The article tallies up more famous Cher fans, (so now we have Pink, Christina Aguilera, Lady Gaga, Gwen Stefani, and the already-mentioned Tracy Chapman and Chrissie Hynde). Pink calls Cher a smart “sharpshooting rock star.” The article covers facets of her reputation: her blunt opinions, clothes, her swearing, her “fearlessness.” It culls out her award winnings and record breaking chart appearances. This is an old school article that actually sends a reporter to visit Cher in her Cher lair. (Remember those interviews?) The article touches on her androgyny and how she solidified an image on her television shows as “a woman who claimed privileges usually reserved for men, including honesty, independence and confident sexuality.” That’s even understated IMHO. The article also talks about The Sonny & Cher Comedy Hour’s technical innovations with chroma key. Author Rob Tannenbaum calls her current live show set a Parisian flophouse (nails it there) and says the show is “dizzying, festive and cheeky.” He calls her image during Geffen era the MILK of hair metal (funny and not totally off the mark).

This seems like a typo though: “There was one problem: no evident lack of talent.” Why would no lack of talent be a problem? There’s also at least one factual error,  stating that since Believe Cher has only released one album on a major label. She’s released two (Living Proof and Closer to the Truth on the same label).

The article states Cher has 3.3 million twitter followers and that Buzzfeed calls her “the world’s most beloved Twitter user.” (Sweet.)

Chad Michaels on Cher's Musical Legacy & What It's Like Impersonating the Pop Icon to Her Face

Michaels credits Cher with pioneering the music video on her 70s TV shows and talks about age-bracketing his shows for content. He calls Cher not only the Goddess of Pop but the Queen of Rock and Roll (yeah, let’s get that one going). He admits “it must be strange for any celebrity to come face to face with an impersonator” and he talks about working on stage parodies of Witches of Eastwick.

RaptureWhy Cher Is More Musically Radical Than You Think

This is an awesome piece by Joe Lynch who  talks about the sexism inherent in rock criticism. He gives only a partial list of Cher’s accolades, (awards, sales, endurance, record breaks), and says “Cher’s impact as a musical force is unfairly disregarded or minimized.” He says music history is “refracted through a male, rock-privileging lens. But it’s also a casualty of music fans’ obsession with authenticity.” I would argue that even under the authenticity rubric, (which is ludicrous in what is essentially a posing industry), the standards are not evenly applied depending upon the rock clique you belong to.

Lynch argues that it’s not even fair to judge artists who don’t have full control over their material because even auteur-film-directors don’t have full control of theirs. I think we can look even closer than film: did The Ronnettes fully control their material? Did any Phil Spector artists have full control? Because many of them are in the Hall of Fame. Lynch gives Cher credit for auto-tune and she should get credit for fighting for it if not coming up with the idea for it on her song “Believe,” (even though I think that is a problematic accolade in rock music, again around issues of authenticity).

We can all agree, like Lynch says, that Cher didn’t pioneer genres or “take lyrics to new poetic heights” but she did “forge an iconoclastic path for vocal and visual androgyny in pop culture that’s frequently overlooked.” (I would argue she also did that with glam rock).

And for the storyteller songs most derided in Cher’s catalog Lynch says, “It’s absurd to argue those songs could have been as effective in the hands of another singer—sure they’re good story-songs, but Cher’s delivery is what makes these admittedly dated pop songs resonate…” Lynch says Cher “teed things up for people like Bowie and Patti Smith, and the world would certainly be different if she hadn’t stayed so irrevocably Cher from the start.”

A Look Back on Her Film & TV Career

GwenHow Cher Transformed Fashion And Became One Of The Most Influential Style Icons In Red Carpet History

This article notes Cher’s influence on Katy Perry, Beyonce, Lady Gaga, and Rihanna, saying she has “left a trail of glittering breadcrumbs across the mood boards of designers and musicians.” Author Brooke Mazurek calls her “the original red carpet renegade and provides quotes from Michale Kors, Vogue Editor Andre Leon Talley and the Fashion Institute of Technology’s curator Kevin Jones. Mazurek also draws a line back to Marlene Dietrich and Josephine Baker and has Bob Mackie crediting Cher with bringing ethnicity to 1970s TV. (That is also a big thesis of the book Off-White Hollywood by Diane Negra).

Cher's 'Gypsys, Tramps & Thieves': Why It's One of the 20th Century's Greatest Songs

This is a great piece by Rob Tannenbaum who wrote the lead story. Cher is dismissive about the song and the length of the recording session but Tannenbaum calls the song “one of the most majestic pop hits ever made…a tale recounted at breakneck speed, of sexual hypocrisy…female and class consciousness…voyeuristic like a pulp novel…redeemed by a brash confidence Cher gives the narrator.”

Tannenbaum goes on to explicate the complicated story line, the implications of which most people blithely ignore as they sing along. This is real professional scholarship here! This could be a undergrad lit paper! Tannenbaum even deconstructs the song musically:

“The song feels urgent partially because of the breakneck pace: the band plays at 171 beats per minute. (For comparison, the Ramones’ “Beat On the Brat” is 157 BPM, and Led Zeppelin’s “Rock and Roll” is 164.) When she reaches the chorus, Cher suddenly sings way in front of the beat, an expression of anxiety. The lavish arrangement feels vaguely “ethnic” or “exotic,” thanks to mandolin and calliope, and also threatening, due to the irregular meters and some shreds of dissonance. It has the grandeur of a Phil Spector production, but with B-movie horror mixed in to it.”

He points out that Cher is never sexually “apologetic or sorrowful…but savoring freedom and rebellion… delivers the line [“Papa would have shot him if he knew what he’d done”] with chilling delight…[making] it one of the most lurid and sexy lines in pop music, merely through implication.”

The song, written by Bob Stone, has “plot, detail and emotional complexity, and Cher belts it with a punkish defiance. As a song about prejudice, poverty, and the consequences of pregnancy for working-class women, 'Gypsys' has aged beautifully.” Yes, indeed.

Cher's 10 Best Trump Tweets

I love Billboard Magazine’s implicit affection for Cher’s anti-Trump tweets here. It’s their own condemnation of Trump and such a reflection of the mainstream, they let it go without any qualification or judgement. The article credits Cher as an advocate of LGBT and women’s rights, her political activism. Lauren Tom calls her a “a pioneer of female autonomy during a male-driven era.”

Older related links

Bob Mackie's Archives Unveiled: Iconic Designer for Cher & Diana Ross Gives Billboard a Peek Behind the Curtains (Oct 2016)

See Bob Mackie's Sketches for Classic Madonna, Cher & Tina Turner Gowns

Press Before the Show

SpeechThe internet was also full of stories rehashing the Billboard interview and reacting to Cher’s admission, (not nearly a new one), that she hates her own music. Every time she says that, people respond in such surprise.

After the BBMAs Coverage

My two cents: award shows seem now to be just excuses for launching elaborate musical performances from big arenas. I'm bored with it already, especially the Byzantine performances of Nicki Minaj (and ten variations of her throughout the night). I did enjoy the Chainsmokers (although it sounds like nobody else did), Julia (I like that funny "Issues" song), and Lorde's very inventive performance pretending to be at a karaoke club. I thought Celine was understated but great per usual (that crazy dress!). She had a lovely chandelier to sing under.

Gwen Stefani introduced Cher who then sang "Believe" and then we watched a career reel while Cher changed into the hole-fit and sang "Turn Back Time" and then accepted her award. I liked her speech which threw some props to Phil Spector, the Wrecking Crew, her mom, Sonny, David Geffen, Diane Warren and luck. Watch Celine Dion sing along to Cher.

GIF of Cher saying she can do a five minute plank.

Spend an afternoon with Cher GIFs!


Cher History: Marriages, Music, Hair, Movies and TV

ChergreggGossip

Cher's marriage to Gregg Allman was revisited by Inquisitir: “inside their whirlwind marriage.”

 

 

Music

And on the site AV Club, death-fuled songs from the 70s place "Dark Lady" in the same league with Barry Manilow's "Copacabana" and “I Don’t Like Monday’s” by The Boomtown Rats.

Death-songs

Speaking of their "Copacabana" video, watch some bad, unenthusiastic lip-synching and awkward dancing from a dapper and youthful Barry Manilow in that video. He even does a Cher-like costume change!

I love that guy. “Don’t fall in love. Don’t fall in love.”

They also list "Indian Reservation" by Paul Revere and the Raiders (see the stats article).

CherhairFashion

Is Cher hair still a trend? The article references Kim Kardashian but she just cut her hair.

Thanks to Cher scholar Tyler for this article on the Five decades of Cher outfits from CBS News.

 

 

 

 

 

R.I.P.

Sonny & Cher Comedy Hour producer Chris Bearde has died. Mr. Cher Scholar always snickers these days when the credits roll and his name appears as chrisbearde.

Cher-chris

Cher’s late-1970s manager, (before 80s-era Bill Sammeth), Sandy Gallin, (whom for years I thought was a woman) has also died.  (Thanks Cher scholar Michael for that link.) Another story from the gruesomely named Deadline.com.

Cher-sandy

This TV site mistakenly attributes Cher’s tweet about Bearde to be about Gallin.

But on the brighter side, Cher says her mom is doing better.

Cher80sMovies

I've been finding a lot of interviews on YouTube that were obscure since the 1980s. I will try to blog about them as I can. This is one of the best, a great German interview for Witches of Eastwick and Cher's Geffen Records era debut.  In it, Cher says she and Sonny were the first hippies in the world.

 

GlencTelevision

Cher scholar Tyler found this amazing bit of scholarship on YouTube, a fascinating medley between Sonny, Cher and Glen Campbell, a medley proving that when art is concerned, conservatives and liberals can get along.

 
You can also watch the full 1976 episode of Sonny & Cher on Donny & Marie

Dandm


Cher TV Shows

Marilyn-billyWe went away for Martin Luther King Day weekend and much drama ensued. First, we braved a Midwestern ice storm. Then, while we were gone, our landlord accidentally set off our house alarm and the police showed up. We came back Monday exhausted, (after a Chief’s playoffs defeat), to find one of my favorite Sonny & Cher show episodes airing, the one with Marilyn McCoo and Billy Davis Jr. which I love because they sing one of my childhood jams, "You Don't Have to Be a Star," and it’s one of the few episodes I remember seeing when it originally aired. It also has an amazingly Rhett-scarlettprogressive satire of Gone with the Wind where McCoo and Davis Jr. play Rhett and Scarlett. 

But it wasn’t taping!! Oh, the horror. I have actually had obsessed fan dreams about this exact thing: I find Sonny & Cher shows in the TV Guide but I can’t tape them, or  I find rare record albums in store bins but I can’t get them to the checkout counter. What would Freud say? I don’t have a clue but I was definitely experiencing missing a Cher show anxiety. Then I realized GetTV was not categorizing each Cher series correctly and that’s why the McCoo/Davis Jr. show wasn’t taping. Lucky for me and my obsession, GetTV has been airing reruns of the reruns and I caught the show a few weeks later.

So I’ve become a bit ambivalent about GetTV recently. First there have been the aforementioned DVR issues. There are three separate shows to track, understandably unavoidable, but when I set up a Comedy Hour series recording, DISH can’t recognize all the future airings of Comedy Hours. And furthermore, and this is a persnickety, obsessed, scholarly issue, GetTV mis-titles some Comedy Hours as the later day S&C Shows and vice versa. Criminy!

And then there are times of plenty and times of scarcity, like mid-January when GetTV aired as many as three new shows a Monday night. Then a month later you get no new shows and lots of reruns of reruns. They are keeping us on our toes, DVR-wise.

In any case, there have been way too many shows in the new year for me to even research online. So that whole idea of keeping up in the blog isn’t going to work, even with sketches of recaps. But I do want to address these shows in a blow-by-blow way and have decided that when GetTV has finished it’s run of them, I’ll start from the beginning and do recaps of every skit, song (with links if possible), and information on which channel aired what skits. And I'll include some scholarship that proceeds with the evolution of the show.

In the meantime, to tide you over, here are a slew of show promos:

And here's a Sonny Comedy Review promo: https://www.youtube.com/watch?v=5q2ihScKfbc

And here's a thing called a Bumper. What is this thing called a Bumper?
https://www.youtube.com/watch?v=m5ak-yYrVCQ
Note where the bumper says: “the Indian always wins.”

  


Final Christmas Post!

Two captures from the Sonny & Cher and Cher Christmas shows aired this year on GetTV.

IMG_1947
I can't believe these things don't already exist on the Internet. I fantasize that someone even owns this record album prop.

And I dearly love this bit from Redd Foxx. Merry Christmas to all the Bigots!

 

 

 


Know Your Cher Christmas Shows

Cher was involved in a lot of Christmas caroling throughout the 1970s and it's taken me a while to get the shows straight. The Sonny & Cher Comedy Hour Christmas Collection DVD, as it turns out, does not show the pure, original episodes as it turns out.

The 12/20/1972 Show

SoldierThis is the show with Cher (and Sonny) singing "It Came Upon a Midnight Clear" with the "One Tin Soldier" cartoon. This itself is a poignant song to revisit considering the rise of white nationalism and bigotry happening right now.

 

 

 

The 12/19/1973 Show

OholyThis was a full-blown Christmas show completely outside of their normal set, most notable for Cher's infamous rendition of "O Holy Night."

Xmas1But there are also other notable moments, like William Conrad reading a long, boring Christmas poem with Sonny & Cher in rapt attention, Sonny & Cher sitting on Santa's lap, and an incredibly odd Indian-Italian mashup with Cher dressed as a plains Indian skipping around with a talking bear looking for snow. The song is tragically ear-wormy but the set design is amazing. I don't remember ever seeing this on the DVD version of the show.

 

The 12/21/1975 Cher Show

CherxmasWow! The Cher show last night was lovely and amazing and so very timely.

Mr. Cher Scholar groaned when he heard The Hudson Brother and The Lennon Sisters were the guests. Never a value add there. But we both thoroughly enjoyed every scene Redd Foxx was in, including two really, really amazing pieces: Redd Foxx reading Christmas Wishes for Bigots, (God, I wish this was on YouTube--I will try to transpose it for us), and Redd Foxx as Elmer the Elf showing us all Santa's VIP gifts for the big celebrities of 1975. It was very funny.

Cher sings "White Christmas/We Need A Little Christmas" and the musical numbers make great effort to be multi-cultural, including:

  • "Some Children See Him" which Cher sings beautifully, all while surrounded with a plethora of poinsettias.
  • The full-cast big band medley at the end is very festive, lovely and international.

Cher also dons a Santa wig and beard for Chastity and Chastity also does some real tap dancing.  Oh, and we see Laverne's bedroom.

Great, great show.

 

The 12/5/1976 Show

Later-dayI haven't seen this show in a while but it's the only Christmas show after Sonny & Cher reunite.

- Opening duet: Sonny & Cher sing their uptempo "Jingle Bells"

- All-cast medley with Chastity, Elijah, Bernadette Peters and Captain Kangaroo

- Laverne with Alvie

 

Merry Christmas, y'all!

Xmasball


Get TV Comedy Hour Fall 2016 Shows

I don't have time to cover all the show in depth anymore but I can try to link to some of the online musical numbers with a few comments.

1/3/1972 Show

ButternutOpening duet: "Sooner or Later"  is a song from The Grass Roots.

 

 

 

 

Badwig BlurryCher's solo: "Come Rain or Shine" was recorded by everybody, including famously by Billie Holiday.  Mr. Cher Scholar and I joked her wig looks like 1960s rich housewife hair or an unkempt Marlo Thomas. It's a really bad wig and the early solo spots are so shadowy.

Concert segment: "Mr. Tamborine Man/Joy to the World" (with Dinah Shore). One of Cher's many Bob Dylan covers, a hit by The Byrds and Three Dog Night. Sonny & Cher did this song twice on their shows. This is the not-so-hot version. See Cher's lovely 70s fringe knot swinging around.

The show's close.

 

2/6/1974 Show

Concert segment: "HiHeel Sneakers/Barefootin" ("Sneakers" is a Tommy Tucker song and "Barefootin" is a Robert Parker song. Sonny wears a hilarious Miami-themed cabano boy shirt (I call this a Barry Manilow shirt). Cher sports an afro ponytail. Good mike tossing by Cher.

Hiheel Barrycopa

 

 

 

 

Cher Solo: "Working Together" with Cher in that macramé head thing Groovy organ. 

 

9/15/1972 Show

GreenOpening Duet: "Let Me Down Easy"  in white outfits with blue and green stripes. Don’t know who originally recorded this song but Dusty Springfield did a slow groovy cover in 1972 on the Dusty in London album. Cher also recorded it for her 1972 Foxy Lady album.

All the Michael Jackson and The Jackson Five material from the show, including "what are you gonna be when you grow up," "Looking Through My Window" and "Ben."  Interesting look at the pre-teen Michael Jackson.

Vamp Segment

Bono-awardIt annoyed me that the episode right before the U.S. election was the Ronald Reagan episode. Good bit of S&C self-deprecation here though and one of the best looks at the oddity that is the Bono Award.

 

 

 

Fuscia Cher Solo: "Say it Isn’t So" in that famous fuchsia dress. Heavy Vaseline job here and we see Cher's belly button.

 

 

 

 

 

Years 1 - 9/26/1973 Show

FavpicThis was the show immediately after the election. Although it's one of the unsatisfying "Years" episodes, it has some sketches to note:

 

The Vamp Through Time

I've never watched these shows in sequential order, which would be good to do so I could see how segments and trends on the show evolve. For instance, it's interesting to note how the Vamp dress evolved over the course of The Sonny & Cher Comedy Hour.

Simple Shiny Crosshatch

 

 

 

 

 

  1. The simple blood red dress with long, curled hair,
  2. The shiny hot red dress with the curly wig and pinned heart,
  3. The later-day cross-hatch textured dress.

Where We Are Now (with Great Cher News)

BuddhaBefore we start, I'd like to share this zen parable I learned many years ago. This story has helped me in both good times and in bad:

There is a Taoist story of an old farmer who had worked his crops for many years. One day his horse ran away. Upon hearing the news, his neighbors came to visit. “Such bad luck,” they said sympathetically. “Maybe,” the farmer replied. The next morning the horse returned, bringing with it three other wild horses. “How wonderful,” the neighbors exclaimed. “Maybe,” replied the old man.

The following day, his son tried to ride one of the untamed horses, was thrown, and broke his leg. Now he would not be able to help on the farm. The neighbors again came to offer their sympathy on his misfortune. “Maybe,” answered the farmer. The day after, military officials came to the village to draft young men into the army. Seeing that the son’s leg was broken, they passed him by. The neighbors congratulated the farmer on how well things had turned out. “Maybe,” said the farmer.

Where I Am Now

So...I haven't been posting for the past three or so weeks. First it was the week before the U.S. election and work was very busy at CNM. Then the week of the election happened and many of us, (I would argue the majority of us) , were feeling stomach cramps and living the U.S. Electoral nightmare. And I have to tell you, something in me changed on November 9. It was as if the election showed me what my special purpose was, to quote Navin R. Johnson. I've been spending the last few weeks organizing and setting up some new messaging initiatives against what I see as the encroachment of Fascism and racism in my country and around the world.

Elections have consequences, as President Obama has often said. For our purposes here at I Found Some Blog, I no longer will have the time to post long, academic Cher tracts beyond the latest news. Something's gotta give after all. I'm working on a novel and two other writing projects. I can't take on the new commitments of activism without giving something up. So no more play-by-plays of the television shows and long reviews of albums. I actually had three of the last four Sonny & Cher show wrap-ups ready to go. But there's no time to finish them now. My gift of gab is now "going to the cause" and that means getting active in my community, motivating Democrats to vote, and wearing my safety pin as a reminder to fight racism and hatred every single day.

If these are values you share, please come by my new Facebook page "BTW New Mexico is a U.S. State," LIKE the page, and SHARE some of the posts with your friends. I would sure appreciate it.

Television

CherxmasBut even Dark Ages had good times. There has been some great Cher news over the last three weeks and we're thankful for tender mercies, we are.

Cher scholar Bruce Barton notified us recently that on Monday December 5 GetTV will be airing the rarely seen 1975 Cher Christmas show. He also linked us to a clip of the festive intro. Can't wait!

And according to the GetTV schedule, there are other goodies in store.

This Monday, November 21, we can binge on three episodes we've already seen: (1) Jean Stapelton and Mike Connors, (2) Jimmy Durante and (3) Andy Griffith.

November 28: The 1973 Sonny & Cher Comedy Hour Christmas Special

December 5: The 1975 Christmas Special with Redd Foxx, The Hudson Brothers and The Lennon Sisters. It looks like it's the full hour show.

Concerts

ClassiccherYou may have heard that Cher is doing some limited shows in Las Vegas and Washington, D.C. next spring. Miraculously I was able to get tickets to one of the Vegas shows. Check out Cher's site for details.

Cher as also on James Cordin's late night show around the time the tickets went on sale. Watch Cher and James singing "I Got You Babe" and  Cher talking about "I Got You Babe".

She was also on The Today Show.

Broadway

So the Broadway show is also actually coming together. From Playbill:

There will be a two-week staged reading in New York City January 2-14. Pitch Perfect’s Jason Moore will direct. It's being called The Cher Show. Flody Suarez and Hamilton’s Jeffrey Seller are producing. And some details were revealed. The characters of Cher are Babe (teenager), Lady (solo) and Star (which sounds like her evolution to icon). Other characters include Sonny, Georgia, Bob Mackie, David Geffen, Gregg Allman, Robert Altman, Rob Camilletti, and Sigmund Freud. Different era Chers may also talk to each other. The book was written by Tony Award-winning Rick Elice (of Jersey Boys, Peter and the Starcatcher). Cher songs in the show may include  “I Got You Babe,” “Gypsies, Tramps and Thieves,” “Take Me Home,” “Believe,” and “If I Could Turn Back Time.” Tony winner Daryl Waters is musical supervisor.

Our Beautiful Friends

Farm-storyCher scholar and one of the contributors to Cher Zine 3 has published a memoir called Farm Story! I'm very excited to read this as soon as I can finagle a copy.

Cher was also interviewed for the Fast Company Innovation Festival, "Cher on Creativity and the Power of Authenticity."  I was disappointed with the piece but the "big show" comments were interesting and her ideas around emojis, which are now considered fine art!

 


Sonny & Cher on GetTV Weeks 3 and 4

PolkadotsI am getting whiplash or with these shows bouncing around. Week 3 takes us all the way to the end of 1973 in Season 4 for the episode Years Part 2. Yes, it’s true, we haven’t even seen Years, Part 1 yet. But as it turns out, the originals were never aired back-to-back either. They were shown two months apart. These are nostalgic, where-are-they-now episodes with musical guests from the 1960s.

Wolfman Jack starts things out by getting his Sonny & Cher records ready. He has an unbelievably hairless chest. Sonny and Cher come onstage in rainbow, polka-dot ensembles singing the Danny and the Junior’s song, “Rock and Roll is Here to Stay.” All the guests appear on the opening stage to sing the opening medly--all which makes the iconic opening feel cheapened and crowded. The nostalgia feels particularly manic, as well. Neil Sedaka sings “Breaking Up is Hard to Do” at the piano, Peter Noone, who never looks very comfortable, sings “Henry VII,” Paul Anka croons “Diana,” and The Coasters sing “Charlie Brown” with odd hitch-hiking choreography. Sonny & Cher provide backup through all this and everybody has coordinated, white suits. I have to say, I've never liked these Years episodes, back from when I first saw them on our cable access channel back in the early 1980s. It’s like a blast of kitsch coming at you too fast and furious.

In the opening  dialogue there’s a boob joke, a Sonny naked joke, and a Watergate joke. As Cher sings, we get a glimpse of early giggle TV. Her garage-door blue eye shadow is impressive, however. Wolfman Jack introduces another “Sonny & Cher mythology” skit that again tells the story of how they went from rock stars to nightclub entertainers to TV stars. At this time, tabloids had already started publishing stories about big, behind-the-scenes blow-ups between Sonny & Cher, going as far as to dub them The Bickering Bonos. They bicker throughout this skit, too, with short jokes, Indian cooking jokes (Sonny complains about her Buffalo pizza: “I’m still picking arrows out of my teeth”), Italian-mother fat jokes, nose jokes, jokes about Sonny’s musical pedigree. It’s interesting to note how these ethnic jokes might have signified entirely different things to people back in 1973. I would still like to know how the history of Cher’s use of Indian iconography and genealogy is perceived by actual American Indians (then and now).

ComicMurray Langston is seen prominently in this skit at the bar. Mr. Cher Scholar and I just watched Chuck Barris’ The Gong Show Movie (not the same movie as Confessions of a Dangerous Mind) in which Langston’s portrayal of the Unknown Comic stands out. The movie also shows an amazingly young cameo performance by Phil Hartman.

They air an old video performance of "Gypsies, Tramps and Thieves," the one with the yellow fringe dress and the gypsy wagon. GetTV airs a skit about fathers in the waiting room that I had never see aired in the TV Land before with Teri Garr playing a nurse among new fathers who are losing their minds.

The concert portion is a medley held together by the song Peter, Paul and Mary song “I Dig Rock and Roll Music.” Cher wears a red dress and a red bobbed wig. Everyone else is coordinated in suits of black and red. It’s all very manic like the opening. It’s interesting that none of Phil Spector’s acts were hired for these nostalgia shows. I’m surprised that Neil Sedaka is taller than Paul Anka and I’ve always had those two confused.  The Coasters sing “Poison Ivy,” Neil Sedaka sings “Calendar Girl, Peter Noone sings “I’m Into Something Good,” Paul Anka sings “Put Your Head on My Shoulder,” S&C sing “All I Ever Need Is You” (hey, these S&C songs aren’t all that nostalgic so far; they’re recent hits!), The Coasters sing “Yakety Yak,” (and I really don’t dig these gimmicky songs), Peter Noone sings “Mrs. Brown,” Neil Sedaka sings “Happy Birthday, Sweet 16,”  S&C sing a very affectionate “I Got You Babe,” Paul Anka sings “Lonely Boy,” and S&C end the marathon with “All I Really Want to Do” in a very similar arrangement to what Cher uses to sing the song to this day.

GetTV does not air the 1960s-era Vamp skit which includes a skit with the Maharishi and Marilyn Monroe. I remember the TV Land version itself included some Batman characters in the recap but an actual Batman skit was missing from the aired sequence.

PantsuitWe fly back to 1972 with Merv Griffin's second appearance on the show in March. This is the season 2 finale. I’ve decided the opening cartoon sequence cartoons probably deserve their own future study. Sonny & Cher sing The Temptations’ song “Get Ready” in yellow and white suit and pantsuit. Cher does hair swings, there are short jokes, mother is fat jokes, sex jokes. Sonny calls Cher a tart. The show is actually pretty good at conversational humor. Sonny gets trumped in a verbal exchange and swivels the dialogue with a “Well, anyway” and this gets a big laugh. Sonny shakes his fist at Cher at one point and they discuss resorting to personal digs when you lose an argument. Sonny shoulder punches Cher and she hits her knuckles into his chin in response.

Cher sings “The Way of Love” in a pink dress with a big flower in her hair. This is her ultimate torch song. There are great camera flares off the flower. This is followed by The S&C stomp, a song and dance about “the craze” of their current popularity. Sonny & Cher lead four sets of Sonny and Cher impersonators in a dance celebrating their quirks and postures: Sonny pointing a finger at Cher, Cher throwing back her hair, their hands on their hip, shoulder socking, Cher folding her arms and giving the cold stare. They sing about the “goombah beat” (another slur on Sonny’s Italianness). They are laughing at themselves, figuratively and literally. It’s early meta and proves why Cher would be great singing Ben Folds Fives “Best Imitation of Myself”  because there is nothing impersonators have ever done with her that was anything she hadn't already parodied about herself first.

Cher’s Vamp dress is red, red and her hair is curly. I’ve always wondered why a vamp theme necessitated pizza parlor laps hanging above the stage. In the Bonnie and Clyde sketch, Merv and Cher play Bonnie and Clyde. Cher sings a provocative intro with “Bonnie shows him how to load his gun.” Merv frets about a prison full of “men, men, men” and Cher says “Sounds like fun.” Cher undresses Sonny and they crack up after a mash-up kiss. In the Theda Bara skit, Cher wears a metal bra identical to the shape of her Take Me Home album breast plates. Sonny makes me crack up when he yells “Oh Sheik!” instead of “Oh Shit!” Six men climb out of an urn to expose Cher’s infidelity and she is not only unapologetic but she talks her way out of it. Sadie Thompaon, Cher’s Mae West, does the same. She says, “I can’t change my ways! I can’t even change a tire!” They make an Arthur Treacher joke I completely didn’t get.

Gypsy 9

 

 

 

 

In a Fortune Teller skit (compare Cher 70s teller to the one in 9: The Last Resort), Sonny endures  short jokes while Merv gets delivered Miss Universe. Sonny sings Stevie Wonder’s “For Once in My Life” while photos and video show Cher and Chastity playing on big screens. This is early reality TV. The green screen cuts off the top of Sonny’s head. Sonny & Cher lip sync their hit, "A Cowboy’s Work Is Never Done” with Cher in a bobbed wig, black halter top and fringed skirt. Her rib is sticking out prominently. Sonny has nothing much to do but look tough. I love this song. The line “I play games now but it’s not fun” hangs there in the ether giving the thought time to sink in.

TV Land cuts the Cultural Spot on Vlad the Horror which is a shame because it has a good cameo by Steve Martin in it.